Rocktober: The Axman Swings His Blade

Can't let a Rocktober pass without some offering to the deities of rock's past. The eighteen year old dorm room rebel that blared Black Sabbath, Slayer, and Led Zeppelin with unabashed adoration is jumping out of me as I follow the stonerific releases from White Hills and Gnod. In name of the fall, in name of girls named Autumn, beards, and looking back at our American heritage, I invested in the releases of Vintage Records, a subsidiary of Rockadrome in Texas. They've been releasing some spectacular reissues of collector item hard rock LPs from the seventies and eighties that strike you right in the stoner bone. Only lame part is that they are on CD, so it is harder to pretend that it actually is 1974, you actually are stoned, and you are just deciding that the hardest rock of all is named metal.

First, hailing from the invincible Camden, NJ (Represent!), recent guest to Bon Jovi's playground build, hails Negative Space who recorded the landmark LP Hard, Heavy, Mean, and Evil in 1970. Fantastic reissue of the dream high school band, digging into some of the hard rock masterpieces of the time like "Johnny B. Goode" and "Purple Haze," these kids took cues from all the right places. So what if they are not sure exactly how to play in the same key as the rest of the band. So what if the drummer drums to his own tempo. This is rock and roll at a gritty and raw reality. The kind that can't be taught. Lester Bangs said that "grossness was the truest criterion for rock 'n' roll, the cruder the clang and grind the more fun and longer listened-to the album'd be." I agree. These kids were definitely on to something, and you will spot this record in Trenton fetching a mighty high fee, despite the fact that it is mostly garbage. I mean treasure. The first eight tracks are the most inspired, from the original LP.

Negative Space - Hard, Heavy, Mean, and Evil

Beyond the reissue, it looks like these guys reincarnated as a hard rock tribute band of the same name. so good. my favorite part of this video is the commentary arguing about whether one band member is a nerd or not.

Another great release from Vintage Records is the reissue of Iron Claw. Iron Claw is a Scottish roots-rock band that grinds out some burners, psychedelic blues rock in its purest. Their release Dismorphobia is fantastic. Though they were supposedly a Black Sabbath cover band for much of their career, their LP from 1970 is golden metal. If my internet was working better I'd upload that too. Maybe I will update this post with it soon enough.

Columbus Day

Columbus incited the annihilation of the 3 million Taino people of Haiti. Happy day off!

Five hundred years later Alan Lomax visited Haiti to document the music of a displaced people. Anthropologically the music connects the polyrhythmic essentials behind blues and jazz with African music. Some historians argue that due to the nature of slavery in the Caribbean, African culture was not subject to the same paternalism as in America (where drumming was outlawed for fears of rebellion). Coupled with the successful rebellion that formed the first black republic in the world, music in Haiti remained distinctly African. By the time Lomax records this, the music evolved to include elements of Highlife and Cumbias. Musically this is sounds like early Cajun music, cumbias, Dominican merengues, and fife and drum. Harte Records 102 will be a ten CD box set of Lomax's Haitian field recordings. Here is a taste.

ps: TURN IT UP!

Every Christian Lion Hearted Man Will Tell You performed by Dave Paul, originally recorded by the Bee Gees.

















The Difference Between Mechanized Reverb and Delay

Delay attempts a perfect echo; reverb attempts a natural one.

A delay device, like a pedal, will try to replicate or sample and repeat the sound being sent to it at timed intervals, most through a chip called a bucket brigade. The invention of this in the 1970s lead to the development and concept of the charge-coupled device, or CCD, which is in every digital camera or video capture device. However, there are limits to the fidelity of the devices, and even sophisticated tape delays, which use a series of magnetic tape recorders to sample and loop the sound like the Gibson Echoplex, will colour and change the sound of the repeats from the original.

Mechanical reverb was first built for the Hammond electric organ when it started being used in homes and smaller churches. Pipe organs were always accompanied by a large reverberation, and it was thought any organ must have that large cascading sound of a shout heard on high. The solution of how to create echo in a small space was to bounce the instrument's electrical sound around inside a metal spring, as in spring reverb, or across a metal pan, in plate reverb, and have it come back to you after being bounced around.

These are just for analog types of delay and reverb. If we were to start talking about digital types of the same effects, the point becomes moot, as digital emulations are essentially virtual sound, and not real.


Elijah James Santoyo
www.myspace.com/perfectrack

Sofrito Mixes

So.... guys.... remember this blog we started? Well, I am going to try to start throwing more posts up here. Plus, remember how great you all are? I mean, you guys are like the best there ever was, and this public forum gives us a voice to share our awesomeness from afar. You guys know soooo much about music, but I don't see you posting..... What's up with that? Its not like I can read Wire and pretend like they are my friends, but you guys are my friends, and I want to read about what you like.

Gushing aside, this post is simply a posting to put up a new link. Erik and I both snagged the Tropical Discotheque 12"s in 2008, and the Sofrito group are back with some more latin disco edit gold. I walked into my local haunt and saw this one on the wall.

Another smash hit 12", a summer scorcher that I will toast as a winter dancefloor Afro oasis for my livingroom. After listening to it a few times, I checked out their website and low and behold, it is filled to the brim with spectacular mixes of just this kind of funkytropicaldancespecials, links to other tropical websites, and even pictures of people having a good tropical time. Oh, and the best part is that they post TRACK LISTINGS! So, next time you are in Nigeria, you will know exactly what you are looking for. I'm sure Erik would have posted this, but didn't want to offend us by posting something we all of course knew about and relished, but I just got the tip on it this afternoon. So I've spent the afternoon listening to Sofrito mixes and drinking mango smoothies as summer slowly fades to fall here in Philadelphia. One things is for sure, and that is that these mixes will make me the hit of tomorrow's regional Puerto Rican Day parade.

VAMOS A LA PLAYA

I have been obsessed with all things balearic for a year or two now, and I'm realizing I really haven't yet imparted any knowledge about the legit old-school stuff to you dudes on this blog. Not that I'm an expert or anything, but pieces like this one at DJ History certainly sparked my interest in the stuff, and I've been trying to fill in all the blanks to this mythical genre ever since. 'Balearic' is so mysterious a term that it can signify anything from spacey komische krautiness like Ashra to new-agey guys like Kitaro to questionable eighties pop like Phil Collins. It is about recontextualizing pretty much any type of music- seriously it could be classical or industrial or minimal composition or smooth jazz- into something that nonetheless has a distinctive, undefinable "feeling". So yeah, it's the kind of thing where people will say, "it's not a genre, it's a feeling" and they're actually kind of right.


But don't let that dissuade you. There is something for everyone under the balearic umbrella, and I think you guys may particularly dig these mixes from Jose Padilla, from the legendary Cafe Del Mar in Ibiza. Cafe Del Mar has a reputation for their sunsets, and if you combine this with the immaculate/cheesy interior and the evocative music on mixes like this you get a pretty damn good feeling of what these vibes are all about. The DJs would provide an intensely mellow soundtrack for most of the evening, and when the sun would finally go down they would attempt to peak their music in a variety of ways- whether it be with a rise in tempo or just by releasing building tension in the music. You definitely hear the more ambient/new-age/moody side of things with this first mixtape, which I found on the Dj History forums...


Jose Padilla - Cafe del Mar Mixtape #27

pieced-together tracklisting...

01 - Kilar Wojciech - Love Remembered
02 - ?
03 - Kitaro - Tunhuang
04 - Ennio Morricone - For Love One Can Die
05 - Ryuichi Sakamoto - Song Lines
06 - Wim Mertens - Close Cover
07 - This Mortal Coil - Song to the Siren
08 - Ulvi - Kudsi Erguner (with whale noises over top)
09 - Ennio Morricone - Gott mit uns (?)
10 - Art of Noise - Crusoe
11 - Art of Noise - Island
12 - Ennio Morricone - A Fistful Of Dynamite
13 - excerpt from 'The Cook Thief Wife and his Lover'
14 - Ennio Morricone - Cockeye's Song
15 - Amorphous Androgynous - Mountain Goat
16 - Brian Eno - From The Same Hill
17 - Ennio Morricone - Deborah's Theme (whale noises again)
18 - ?
19 - Mark Isham - Theme from Mrs Soffell
20 - Frank de Wulf - The End

This next one I found on the excellent Test Pressing blog, and has much more drive to it than the last- I think a drumbeat or two actually make an appearance here! I don't have a tracklisting as of now, but I DEFO spotted not only Laurie Anderson's "O Superman" but also a kickin' smooth jazz instrumental version of "Mercy Mercy Me", along with more field recordings and other similarly awesome tunes.

Jose Padilla - Cafe Del Mar Mixtape # 7

25 Most Underrated Guitarists of All Time

Ok, so the title is a parody of Rolling Stone's comprehensive critical perspective on the nature of guitar heroes. So, until my deluxe John Mayer triple LP boxset arrives in the mail, I'll have to settle for some lesser known guitar gods.

Charlie Parr. This guy sounds like he should have been on Takoma in the early sixties. And Parr definitely should be on Tompkin Square's Imaginational Anthem compilation featuring Max Ochs (Phill's cousin)Glen Jones, Jack Rose et al. I happen to be a fan of Jack Rose, and relocating to Philly only helped that. However, sometimes Rose and Jones' technical wizardry masks the downhome nuances and idiosyncrasies that tend to personalize and immortalizeguitarists. Charlie Parr spins such downhome blues that you might be related to him. So, since gods are immortal and guitar gods are immortal, and Charlie Parr kicks major ass so who cares about his time in the limelight because he'll have eternal life in heavens stage lights. I guess his d.i.y ethos is so strong that it boosts his street cred, but his street cred rarely leaves the street. So check out this video and dig.

He'll be in San Francisco for a rare out of state performance on July 26th, so make the pilgrimage. Plus, my reasoning could be wrong because according to Rolling Stone, Charlie Parr is not an accredited guitar god. That means Charlie Parr might eventually die. If you don't go see him, it would be like passing on seeing a Woolly Mammoth because they'll "always be around."

Porter Records

I haven't posted on here for a while, but i'm back and unemployed, so here we go.

I've been following Porter Records' releases for a while, their catalog includes everything from free jazz to r&b to folk. Othermusic compares them to ESPdisc. The artist they've put records out for include jeweled antler collective, fred lonberg holm, hexlove, ras g etc etc. These albums are hard to track down in the torrent/blogosphere, but luckily they released a sampler with other music digital. It's free, and you can find it HERE. Check it ... I found the birigwa and natural food albums in the clearance bin at amoeba, I can post them if you guys want. Also you can listen to the entire Zenlo album from this blue box on his myspace. pretty cool